men only

men only

I’m in Florida and it’s raining.

I’m in Florida and it’s raining.

mhc-asc:

Hildegard Zippert (GS ‘51-52) interviewing Marianne Landre (Class of ‘53), circa 1951, and two Archives Assistants chatting on the same window seat, 2014. #transformationtuesday #LITStagram (at Mount Holyoke College)

mhc-asc:

Hildegard Zippert (GS ‘51-52) interviewing Marianne Landre (Class of ‘53), circa 1951, and two Archives Assistants chatting on the same window seat, 2014. #transformationtuesday #LITStagram (at Mount Holyoke College)

I bought you books
acidadebranca:

Villa Serego or Villa Sarego is a Palladian villa at Santa Sofia di Pedemonte, San Pietro in Cariano in the province of Verona, northern Italy. It was built for the aristocratic Sarego family, and designed by Andrea Palladio. The villa is distinctive for its use of rusticated columns of the Ionic order.
The villa was commissioned by the Venetian nobleman Marcantonio Sarego for an estate which came into his possession in 1552.[1] A rough date for its execution is c. 1560-1570. A plan of the building appears in Palladio’s Quattro Libri of 1570, but it relates to a larger project than was actually completed. A habitable building is known to have existed by 1572 from Marcantonio’s will of that date, but he died leaving some of the project as little more than foundations. In 1857 further construction took place, which makes the villa appear finished but does not fully respect the original design.
Two limestone sculptures stand surrounded by semi-circular hedges in front of the villa. They appear to be the deities Diana (with attributes of the hunt) and Apollo (holding a harp), symbolic of the villa being both a rural retreat and a refuge for culture and beauty.
The villa is built around a courtyard, which is derived from the atrium of Roman villas. Palladio was familiar with such designs from his researches into Roman architecture, but courtyards are rare in his own buildings. The colossal columns of the courtyard are executed in a rough aesthetic - Palladio refers to them being made of “non polite” stone. Although ultimately derived from ancient Roman buildings, the columns are reminiscent of mannerist design and have features found in the architecture of Verona. They are practically unique in Palladio’s work, but are echoed in a gateway at Villa Trissino (Meledo di Sarego). 

acidadebranca:

Villa Serego or Villa Sarego is a Palladian villa at Santa Sofia di Pedemonte, San Pietro in Cariano in the province of Verona, northern Italy. It was built for the aristocratic Sarego family, and designed by Andrea Palladio. The villa is distinctive for its use of rusticated columns of the Ionic order.

The villa was commissioned by the Venetian nobleman Marcantonio Sarego for an estate which came into his possession in 1552.[1] A rough date for its execution is c. 1560-1570. A plan of the building appears in Palladio’s Quattro Libri of 1570, but it relates to a larger project than was actually completed. A habitable building is known to have existed by 1572 from Marcantonio’s will of that date, but he died leaving some of the project as little more than foundations. In 1857 further construction took place, which makes the villa appear finished but does not fully respect the original design.

Two limestone sculptures stand surrounded by semi-circular hedges in front of the villa. They appear to be the deities Diana (with attributes of the hunt) and Apollo (holding a harp), symbolic of the villa being both a rural retreat and a refuge for culture and beauty.

The villa is built around a courtyard, which is derived from the atrium of Roman villas. Palladio was familiar with such designs from his researches into Roman architecture, but courtyards are rare in his own buildings. The colossal columns of the courtyard are executed in a rough aesthetic - Palladio refers to them being made of “non polite” stone. Although ultimately derived from ancient Roman buildings, the columns are reminiscent of mannerist design and have features found in the architecture of Verona. They are practically unique in Palladio’s work, but are echoed in a gateway at Villa Trissino (Meledo di Sarego)

(Source: allthembags)

fuckyeahmodernflapper:

Summer in Miho, holiday poster.

fuckyeahmodernflapper:

Summer in Miho, holiday poster.

fehyesvintagemanga:

Ooya Chiki

fehyesvintagemanga:

Ooya Chiki

eudaemaniacal:

your future guide to determining if something was said by vladimir nabokov is now to ask yourself it it sounds like a total fuckwad wrote it

archaicwonder:


Ptolemaic Rhodolite Garnet bust, late 3rd century BCCarved as a miniature relief bust of the head of a woman, her hair rolled and bound in a fillet, drawn back to a bun, and largely covered by a veil. The subject is probably Berenike II of Egypt (ruled 246-221 BC), wife of Ptolemy III (ruled 246-221 BC).

archaicwonder:

Ptolemaic Rhodolite Garnet bust, late 3rd century BC

Carved as a miniature relief bust of the head of a woman, her hair rolled and bound in a fillet, drawn back to a bun, and largely covered by a veil. The subject is probably Berenike II of Egypt (ruled 246-221 BC), wife of Ptolemy III (ruled 246-221 BC).

(Source: search.getty.edu)

zombiesenelghetto:

Punks, London, 1977

zombiesenelghetto:

Punks, London, 1977